Exhibition

Generations: Experimental Video and the de Saisset Museum

March 30 – December 10, 2027

de Saisset Museum at Santa Clara University

An exhibition showcasing and expanding upon the de Saisset Museum’s leading role in commissioning and exhibiting first-generation video

Black-and-white photograph of a video playing on a cube monitor. Film features the torso, arms, and top of legs of a male-presenting figure wearing black pants and long-sleeved henley shirt.

de Saisset Museum at Santa Clara University

500 El Camino RealSanta Clara, CA 95053

The Museum is located at the center of Santa Clara University’s campus.

Tuesday–Friday  10 a.m.–4 p.m.
Saturday–Sunday  12 p.m.–4 p.m.

Please check our website for closure dates related to holidays and academic breaks.

Free

ADA Accessible

During the early to mid 1970s, under the leadership of visionary Director Lydia Modi-Vitale and Video Curator George Bolling, the de Saisset Museum played a leading role in commissioning and exhibiting video art. A series of solo and group exhibitions during this era helped cement video as a legitimate art form. Generations: Experimental Video and the de Saisset Museum explores this highly productive moment.

The exhibition revisits select works from the Museum’s 12th annual St. Jude Invitational in 1972, which focused exclusively on the new medium of video, bringing the first generation of Bay Area conceptual artists into conversation with their Los Angeles and New York–based counterparts. The 1972 Invitational featured diverse approaches by John Baldessari, Lynda Benglis, Terry Fox, Howard Fried, Paul Kos, and Rainbow Video (Bill Viola, Mimi Munroe, Tom Morris), among others.

Generations: Experimental Video and the de Saisset Museum presents rarely seen performance-based works, as well as material from experimental exhibitions from the era, such as Fish, Fox, Kos (1971) and Eat Your Totems Mary Ashley (1975), which offer new perspectives on this Northern California story.

These historic works are paired with single-channel videos by contemporary Bay Area artists. From the studio to outdoor environments, these short works, primarily from 2000 to the 2010s, are characterized by their pared-down approach, in which the camera is used to record a performance or action.

Generations: Experimental Video and the de Saisset Museum is co-organized by Ciara Ennis, Director & Chief Curator, de Saisset Museum, and Tanya Zimbardo, guest Co-curator.

Exhibiting Artists

Allan Fish, Bill Viola, Douglas Davis, George Bolling, Howard Fried, Joel Glassman, John Baldessari, Keith Sonnier, Lynda Benglis, Mary Ashley, Nam June Paik, Paul Kos, Rainbow Video, Richard Serra, Shigeko Kubota, Taka Iimura, Terry Fox, Videofreex, William Wegman

A black and white image with a figure at the top that appears to walk against a blank background. Below the figure are lines of typed text repeating “MAR MAR MARCH” and the top of a typewriter is visible in front of and continuing below the text.
A person with short hair is looking at their image on a television screen. Both figures are in profile and the image is in black and white.

Paul Kos, Mar Mar March (video still), 1972. Sony V-32 open reel videotape, 2 min., 10 sec. Courtesy of the Artist and de Saisset Museum Permanent Collection, Santa Clara University, 5.34a.

Paul Kos, Mar Mar March (video clip), 1972. Sony V-32 open reel videotape, 42 sec. Courtesy of the Artist and de Saisset Museum Permanent Collection, Santa Clara University, 5.34a.

de Saisset Museum at Santa Clara University

The de Saisset Museum at Santa Clara University provides ambitious, groundbreaking exhibitions and educational programming, foregrounding timely projects that are interdisciplinary and transhistorical, and which highlight the varied realities lived by our diverse community of practitioners.

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