Exhibition

Libby Black: Along the way, in the rooms

March 6 – May 1, 2027

The San Francisco Arts Education Project

An exhibition on Libby Black’s artistic and educational journey, and how art schools shape artistic communities, culture, and regional histories.

Black-and-white drawing of a figure paintings class, nude female has her back turned to the viewer, while students work on easels.

The gallery is located on the second floor of the building.

Wednesday–Saturday  11 a.m.–4 p.m.

Free

ADA Accessible. There is an elevator in the building.

Several all-ages workshops will take place during the run of the exhibition.

Along the way, in the rooms is an immersive, site-responsive exhibition tracing the evolution of San Francisco State University professor and artist Libby Black from student to artist to educator. At its heart is a larger question: “How do art schools shape not only individual artists, but artistic communities, cultural identity, and regional histories?”

The exhibition functions as a three-dimensional map of Black’s artistic and educational journey, acknowledging the teachers, schools, students, and communities that shaped her. At a moment when arts institutions are closing—including Black’s alma mater, California College of the Arts—the exhibition is both celebration and elegy, reflecting on the irreplaceable role art schools have played in the Bay Area.

At its center, a reconstructed version of Black’s studio features a wall-size photograph, works by artists and educators who influenced her, and a series of ink drawings that revisit art history while centering women largely absent from her own education. Radiating outward are works by her students, including collaborative projects and installations rooted in foundational drawing assignments. Contributions by fellow SFSU faculty Liz Hernández and Sean McFarland expand the dialogue through faculty practice, student work, speculative history, photography, and drawing.

Drawing is the exhibition’s vital thread: a shared act of attention through which teachers and students learn to understand their place in the world. In an era of AI-generated imagery and disappearing art schools, the exhibition argues for the enduring value of drawing, mentorship, studio practice, and arts education as forms of collective human connection.

Exhibiting Artists

Libby Black, Lisa Solomon, Liz Hernández, Sean McFarland

A cow scull rests on a table, with a jar with flowers sitting on top, with long stems that reach the edge of the paper, and washes of pigment over the surface.
A person with light skin and grey hair tied back in a ponytail sits on a red stool in the center of a cluttered artist's studio. They are looking to their right, wearing a dark blue short-sleeved denim shirt, blue jeans rolled up at the cuffs, and black leather boots. Their hands are clasped together in their lap. In the background, a medium-size yellow trunk labeled LB SAN-FRANCISCO rests on top of a large green trunk labeled GUCCI. A stack of other stylized luggage sits nearby, including a blue trunk with a PRADA logo and a hand-painted LOUIS VUITTON box. To the right of the person, a tall stack of art books rests on the floor, including titles by Liz Magor and Pacita Abad. A bright pink ladder leans against the right side of the frame near a blue pot containing flowers. The background features white shelves packed with art supplies, storage containers, and various creative materials.

Libby Black, Empathy, 2026. Watercolor on paper, 22 x 30 in. Image courtesy of the artist and Anthony Meier Gallery

Libby Black | In The Studio, 2024. Video, 7 min., 18 sec. Produced by Anthony Meier Gallery. In her studio, Libby Black reflects on more than two decades of drawing, painting, and sculpture.

The San Francisco Arts Education Project

Since 1968, SFArtsED has served 300,000+ San Francisco students. Today, it brings professional artists into public schools, offers summer arts camps, presents the SFArtsED Players musical theater troupe, and hosts exhibitions, classes, and events at its gallery at Minnesota Street Project.

Learn More

Things to Do Around Here

  • Grand Coffee is a very convenient place. Open only Friday and Saturday.

    1275 Minnesota St, San Francisco

    Pete Belkin, Curator, The San Francisco Arts Education Project

  • Souvla is a fantastic Greek restaurant a few blocks away.

    2505 3rd St, San Francisco

    Pete Belkin, Curator, The San Francisco Arts Education Project

  • The Pier 70 Time Machine is a unique museum highlighting the industrial and shipbuilding history of the neighborhood. A dedicated Ramaytush Ohlone Cultural Display features artifacts from the area’s first people as part of the 10,000-Year History Wall, and the museum is raising funds to construct a full-sized boat in the ancestral tradition of the Ramaytush Ohlone.

    70 Pier Building 12, Suite 2.35, San Francisco

    Pete Belkin, Curator, The San Francisco Arts Education Project

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