Exhibition

The Artist Within Us All: The Halprins and their Circle of Influence

March 12 – June 10, 2027

Tamalpa Institute Center for the Halprin Work

An exhibition exploring the Halprins’ influence on dance, design, visual art, music, film, and the emergence of interdisciplinary practice

A black-and-white photograph of Anna Halprin with dancers Simone Forti and A.A. Leath performing The Branch on the Halprin Dance Deck in Marin County in 1957. The three figures are shown moving together on the outdoor wooden dance deck, surrounded by the natural landscape. The photograph captures the early experimental, site-responsive approach to movement that characterized Halprin’s work. The photograph is 8 × 12 inches. Courtesy of Warner Jepson, the Museum of Performance + Design, and Halprin Legacy Lab photo by Warner Jepson.

1275 Minnesota St. is conveniently located within four blocks of the T Third St. Muni Metro, #48 bus stop.

Tuesday–Saturday  11 a.m.–6 p.m.

Free

ADA Accessible

Presented at Minnesota Street Project, The Artist Within Us All explores the radical artistic ecosystem that emerged around Anna and Lawrence Halprin in postwar San Francisco, a place where dance, architecture, landscape, music, visual art, film, and poetry could meet, overlap, and generate new forms.

Rather than tracing a linear history of influence, the exhibition looks at the Halprin studio and the San Francisco Dancers’ Workshop as laboratories for experimentation. Through movement, improvisation, scores, collaboration, and engagement with the everyday environment, the Halprins created conditions in which artists could work across disciplines and rethink what art could be and where it could happen.

The San Francisco Dancers’ Workshop became Tamalpa Institute in the 1970s, founded by Anna and Daria Halprin as a training ground for the Halprin work. Tamalpa provided a place where the principles developed through the Halprin Laboratory and Dancers’ Workshop could be taught, practiced, and carried forward across generations, extending the Halprin approach into an ongoing interdisciplinary practice.

The exhibition brings together artworks, films, photographs, scores, archival materials, and documentation connected to the many artists who gathered around and were influenced by this practice, including Ruth Asawa, Bruce Conner, Simone Forti, Joan Brown, Terry Riley, Pauline Oliveros, Robert Morris, Yvonne Rainer, Trisha Brown, and others. It reveals meaningful connections between the Dancers’ Workshop, Tamalpa Institute, experimental music, film, visual art, Fluxus, happenings, civic design, and the emergence of new approaches to performance.

At its center is the Halprins’ belief in the artist not as a solitary figure, but as someone who creates the conditions for others to discover their own creativity. As Anna Halprin wrote, she came to see herself as “an artist who works to evoke the art within us all.”

The exhibition extends that idea into the present, bringing the Halprins’ legacy into conversation with contemporary artists and publics through performance, scores, workshops, and participatory programs. The Artist Within Us All is not simply a look back at a remarkable moment in Bay Area art, it is an invitation to enter the experiment and consider what this way of working might make possible now.

The Artist Within Us All is curated by Ruthanna Hopper of Halprin Legacy Lab and Laura Whitcomb of Label Curatorial.

Exhibiting Artists

Adaline Kent, Ant Farm, Armand Vaillancourt, Barbara Stauffacher Solomon, Bruce Conner, Carrie Mae Weems, Charles Amirkhanian, Charles Ross, Dohee Lee, Eeo Stubblefield, Folke Rabe, James Broughton, Janine Antoni, JB Blunk, Joan Brown, Lesley Chapman, Liam O’Gallagher, Luciano Berio, Manuel Neri, Meredith Monk, Morton Subotnick, Pauline Oliveros, Richard Brautigan, Robert Morris, Ruth Asawa, Seymour Locks, Simone Forti, Terry Riley, Trisha Brown, Warner Jepson, Yvonne Rainer

A black-and-white photograph of Anna Halprin with members of the San Francisco Dancers’ Workshop performing Parades and Changes in San Francisco in 1967. The dancers are shown engaged in the performance, emphasizing movement, group interaction, and the unconventional, open-ended nature of Halprin’s choreography.
A black-and-white photograph documenting the San Francisco Dancers’ Workshop with University of California, Berkeley architects during Automobile Event in Berkeley in 1962. The image shows dancers and participants interacting with automobiles as part of the performance, bringing movement, architecture, and the everyday environment together. The photograph captures Halprin’s experimental approach to choreography beyond the traditional stage and his collaborations with architects.

Anna Halprin with San Francisco Dancers’ Workshop, Parades and Changes (detail), San Francisco, 1967. Photograph, 8 x 10 in. Courtesy Museum of Performance + Design, San Francisco. Photo by Nicholas Peckham

Exhibition Support

The Artist Within Us All: The Halprins and their Circle of Influence is made possible through the support of The Graham Foundation.

A black logo that reads the Graham Foundation.

Tamalpa Institute Center for the Halprin Work

The Tamalpa Institute is dedicated to creativity as a vital force for personal, cultural, and social transformation. Rooted in Anna & Lawrence Halprin’s pioneering work, the Institute trains in embodied, environmental arts practices that integrate movement, expressive arts, design, and environment

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