Exhibition

Baroque Hippie: The Wainwright Portraits

March 5 – April 24, 2027

SF Recreation and Parks, Harvey Milk Photo Center

Jerry Wainwright’s 60s-era photographic portraits intimately depict the baroque hippie subculture into which curator Jude Mooney was born.

Kathleen and Alton Kelley with child inside an apartment setting. Kathleen has a short, wavy bob haircut and she stands looking down towards the camera, wearing a dark velvet dress with a plunging neckline and lace trim. Alton wears long hair and a mustache and he leans his head against her hip, looking forward. In the background, posters are pinned to a door and a shelf filled with spice tins and bottles sits against the wall.

SF Recreation and Parks, Harvey Milk Photo Center

50 Scott StreetSan Francisco, CA 94117

The main entrance is facing Duboce Park.

Tuesday–Thursday  11 a.m.–8:30 p.m.
Friday–Saturday  11 a.m.–4:30 p.m.

Free

ADA Accessible

What began as a mission to rescue near-forgotten negatives from a Victorian steamer trunk became a years-long project for Jude Mooney, who has archived and recontextualized a trove of intimate portraits by little known psychedelic-era photographer Jerry Wainwright.

In 1965 Jerry Wainwright was a 39-year-old television repairman, working out of a small shop on San Francisco’s Haight Street. Wainwright’s passion, however, was taking stylized photos of his neighborhood friends and their families. Over the next decade, his photographs would provide a rare glimpse into the interior spaces and private lives of some of the original founders of the psychedelic scene—a motley crew of musicians, poster artists, anarchists, dancers, and pot dealers.

By the late 1960s the overhyped, overcrowded scene of the Haight Ashbury inspired a subgroup of San Francisco’s original hippie movement to promote a kind of “back to the land” diaspora, relocating to more pastoral adjacent regions such as Marin County, the “Lost Coast” of Mendocino, Santa Cruz, and the Sierra foothills.

Wainwright, along with his wife, Annie, followed this migration north to Marin, and he continued photographing his cohort as they began to put down roots, home-birth children, and attempt to navigate through their youthful idealism into the realities of post-Woodstock/Manson/Watergate America.

Wainwright clearly had a gift for putting his subjects at ease, and we see them in their own kitchens or bedrooms—which are ornamented with Victorian antiques, tapestries, and ferns—posing casually on beds or draped over couches, often quite stoned.

Wainwright’s photos both reflect and foster an idealized vision of how these neobaroque hippies viewed themselves, with the subjects creating highly stylized outfits from hand-sewn or thrift store clothing that blend the Wild West with art nouveau, and which appropriate the fashions of non-Western cultures to create an “exotic” look and set themselves apart from the norm.

This collection of Jerry Wainwright’s portraits were selected by photographer and curator Jude Mooney, who was born into and grew up in this milieu—as a child was among those Wainwright photographed. Mooney’s unique perspective sheds new light on the foibles as well as the glories of a fascinating fragment of the counterculture dream.

Exhibiting Artists

Jerry Wainwright

Couple with fern outdoors. A woman with long hair parted down the middle sits in a tall, high-backed wooden chair covered in a floral damask fabric. She wears a long dress with an embroidered V-neckline and a black choker. Standing next to her, a man with a mustache and shoulder-length hair wears a suit jacket, patterned tie, and trousers. They are holding hands, posed against a dense backdrop of lush ivy and leafy plants.
Man sitting on art car covered entirely in shoe soles, small figurines, and mosaic patterns. The man has long hair, a thick beard, and a plaid button-down shirt, he is perched atop the trunk of the car. The vehicle is parked outdoors next to a dense thicket of trees and woods, with a handwritten notice sign visible in one of the rear windows.
Family standing in kitchen. A woman stands by a vintage stove to the right, stirring a pot while holding a toddler in a light dress. In front of them, to the left, a man with a goatee sits in a wooden chair with a young child wearing denim overalls resting on his lap. The background features packed shelves of jars, glassware, and kitchen utensils.
Girl with cat. A close-up black and white portrait of a young girl with long, wavy hair and a serious expression. She is looking directly into the camera while holding a fluffy black-and-white cat close to her chest. She wears a dress with an intricate lace collar detail.
Two young women with long hair standing against a plain, light-colored wall. The woman in the foreground is in profile, sporting very long, dark hair and wearing a floral patterned dress. The woman behind her has blonde hair, wearing a light sweater and knit skirt, posing with one arm raised to shade her eyes and the other over her chest.

Jerry Wainwright, Bonnie and Harvey, nd. Photograph. Courtesy The Jerry Wainwright Estate

SF Recreation and Parks, Harvey Milk Photo Center

Established in 1940, the Harvey Milk Photo Center is the oldest and largest community wet darkroom in the US, and we’re proud to be funded and managed by the San Francisco Recreation & Parks Department. We offer classes, membership options, a library, and numerous photography exhibitions and events.

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